Though he starred in over 50 films, headlined a couple lesser-known TV series and was even a pro baseball player, Chuck Connors will always be remembered as TV’s The Rifleman, an iconic role and one of the great TV western heroes. By the late 1960’s though, Connors went the route that many American stars did and headed to Europe for the spaghetti western craze. He starred in an entertaining Dirty Dozen-esque knockoff with one of the coolest movie titles ever, 1968’s Kill Them All and Come Back Alone.
During the Civil War as fighting rages in Texas, a gunfighter/outlaw, Clyde McKay (Connors), is enlisted by Confederate forces for a dangerous mission. The Union army is sitting on a huge gold shipment at a well-guarded outpost in the mountains. The gold is actually hidden among bundles of dynamite, making a potential robbery even more dangerous. McKay recruits five other men — killers, cutthroats and thieves — to aid in the mission…destroy the gold at all costs. With a Confederate intelligence officer (Frank Wolf) along for the ride, McKay and his crew ride out into the desert. The thought persists though…why destroy the gold when you could just as easily steal it?
The name Enzo G. Castellari might not be synonymous with other great spaghetti western directors, notably the two Sergios, Leone and Corbucci. Castellari was still a young director in 1968 when he helmed this action-heavy western. Over the next 10-plus years, he would direct some high quality action flicks that were almost always crowd pleasers. There’s nothing much to this 1968 effort, just 96 minutes of crazy action, fun/cool characters and some twists, turns and betrayals along the way. Nothing classic but highly enjoyable and definitely a fun watch.
The formula here is a familiar one. Just a year earlier, The Dirty Dozen was released, the story of 12 convict commandos working together on a suicide mission. Countless knock-offs and reboots followed, both war movies and in westerns. The spaghetti western genre alone went back to the well several times, including A Reason to Live, a Reason to Die and The Five Man Army. There isn’t much in the way of star power here or even much character exposition (as in any), and no time wasted with anything but the streamlined action-heavy theatrics. Introduce the team, introduce the mission, let the fireworks begin. Easy-peasy, right?!?
Starring in his first spaghetti western, a very thin, vvvvery tan Chuck Connors is McKay, the intrepid leader of our suicide squad. Backstory? Nah! Connors is cool and looks to be having a ball. It is cool seeing him playing a pretty nasty character, especially relative to squeaky-clean Lucas McCain. Now we need some specialists to help! There’s Wolf as the suspicious Captain Lynch, then Hoagy (Franco Citti), a quick-handed killer with pistol or a unique rope garrote, Deker (Leo Anchoriz), a specialist with dynamite and an 1860’s dynamite launcher, Blade (Giovanni Cianfriglia), a half-Indian, half-Mexican knife expert, the Kid (Alberto Dell’Acqua), a steely-eyed killer, and Bogard (Hercules Cortes), the brutish strongman. A good team, star power be damned.
I was surprised when the main heist takes place just 45 minutes into the story. The attack on the mountain fortress is a doozy of gunfire, explosions and acrobatic death stunts. Our squad hits everything while an entire garrison of Union soldiers can’t even nick them. They also literally drop their weapons and charge at them for a good, old-fashioned fistfight instead. Noble, right? It’s big, overdone and dumb fun though. The last 45 minutes revolve more around some twists and betrayals that do slow the story down a touch. Castellari knows how to string together some action though. Criticize any number of things here, but the action is fun from beginning to end.
Turn your brain off and enjoy this one. Some great looking locations in Spain, a fun musical score, and action popping at the seams throughout. I watched it on Youtube HERE if you’re interested. Definitely worth a watch, especially for spaghetti western fans.
Kill Them All and Come Back Alone (1968): ** 1/2 /****