100 Rifles (1969)

100 RiflesA true Hollywood movie star, Burt Reynolds passed away this past week at the age of 82. The star of Smokey and the Bandit and Deliverance, Reynolds was one-of-a-kind. He was always having fun on-screen no matter the role. One of my favorite Reynolds’ flicks, a 1969 western, 100 Rifles.

It’s 1912 in Sonora and the Mexican Revolution rages on. In the town of Nogales, an American sheriff, Lyedecker (Jim Brown), is on a mission to bring a bank robber back to Phoenix. His bounty? A half-breed bandit, Yaqui Joe (Reynolds), who used the $6,000 he got from the bank robbery to buy 100 rifles for revolutionary forces. Lyedecker isn’t the only one hunting Joe though with the local military commander, Verdugo (Fernando Lamas), also desperate to get his claws into him. Catching the ire of the bloodthirsty Verdugo, Lyedecker must work with Joe to escape with his life. The duo become unlikely revolutionaries, on the run with the true revolutionary, Sarita (Raquel Welch), with Verdugo hot on their trail.

Far from a classic, ‘Rifles’ is still a highly entertaining western, mostly due to its cast and some solid action along the way. From director Tom Gries, it’s actually an off-shoot of the spaghetti western genre; westerns shot on-location in Spain and with European and American backing, but almost entirely American crews. You’ll see some familiar sandy, sun-drenched locations along the way, and the Mexican Revolution background provides a bloody, violent backdrop to the story (another sub-genre if you’re looking, the Zapata western). Also worth pointing out, Jerry Goldsmith — no stranger to memorable scores — steals the show with an underused soundtrack (listen HERE), including a great, booming chase theme.

Jim Brown, Raquel Welch and Burt Reynolds. More movie stars than hugely dramatic actors, the lead trio is excellent in their parts. Interestingly enough, there was supposedly a fair amount of tension between Brown and Welch during filming, Reynolds often playing the peacekeeper. There’s a cool dynamic among the three, Lydecker the unwilling revolutionary, Sarita the true, devoted believer and Joe the bandit who’s unintentionally found a purpose. Lamas hams it up like his life depended on it and has a ton of fun as Verdugo. There aren’t a ton of speaking roles with a smaller cast, but those four do the heavy lifting.

Also look for Dan O’Herlihy as Grimes, the railroad execute looking to protect his train and its line, Eric Braeden as Von Klemme, the German military advisor (a staple of Zapatista westerns, Michael Forest as Humara, Sarita’s mute enforcer, and spaghetti western regular Aldo Sambrell as Paletes, Verdugo’s loyal sergeant.

I’m hard-pressed to say there’s much of a story here, instead a sorta extended chase scene broken up by action scenes that runs about 109 minutes overall. Lack of story? Not a huge problem here because the action and chases are pretty good — and surprisingly bloody and vicious. Gunfights, fistfights, chases and much of it on a moving train, it all adds up to a solid final product. Brown and Reynolds were two of the most physically capable actors around with the duo handling most of their own stunts, including several exciting fights with the two men handcuffed together. ‘Rifles’ saves its biggest explosions for the finale, an attack on the army train and then the train attack on Nogales. All-around good stuff though.

Couple other points worth making. ‘Rifles’ is — I believe — the first movie to have an interracial love scene, Brown and Welch passionately kissing and rolling around in bed. It’s pretty tame now but caused quite a stir in the socially charged 1960s. Welch’s Mexican accent is pretty cliched too, but the script seems hell bent on getting her nude, sorta nude and wet under a water tower. Not a complaint, just an observation! It’s a fun western overall, especially for the action and the buddy chemistry between Jim Brown and Burt Reynolds. Not a classic, but a lot of fun.

100 Rifles (1969): ***/****

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The Dirty Dozen (1967)

One of the all-time great tough guy casts — if not the greatest — in one of my favorite genres. A movie that stands the test of time that is action-packed, darkly funny and amazingly entertaining. It has taken abuse over the years by some because of its shocking ending, but it also has built up a diehard following by those who will defend it to the last (including me). One of my favorite movies ever, and a Memorial Day themed review, 1967’s The Dirty Dozen.

An American army officer with a record a mile long, Major John Reisman (Lee Marvin) has been given a mission that even he doesn’t believe is real. It’s late spring 1944, and as the Allies prepare for the D-Day invasion, the Allied high command (including Ernest Borgnine) delivers his impossible, suicidal mission. Reisman is to take 12 prisoners either sentenced to death or years of imprisonment and hard labor, train them, and then in the days before the D-Day landing, drop them into German-occupied France. Their mission? Attack a German chateau, killing as many high ranking German officers as possible, hopefully wreaking havoc on the high command. Can Reisman get the prisoners to work together before they kill him?

This is a movie that is a perfect storm of timing, casting and story. A story of 12 convicted criminals — rape, murder, robbery — turned commandos who resent any sort of authority given a mission to kill enemy officers in cold blood? Could that story even remotely fly in any time other than late 1960s America? It was a time when America was changing, a darker, more cynical time in our history. Director Robert Aldrich taps into something special there. ‘Dozen’ has a unique look to it, interesting camera angles, a catchy theme for the Dozen — listen HERE — and a general feel of giving the middle finger to any sort of power or authority figure. Could there be a more perfect movie for a 1967 audience?

I could write a whole review discussing the characters and the long list of tough guy actors who play them, but I doubt many people would read 10,000 rambling words about how the cast of The Dirty Dozen is the coolest thing ever. Let’s start with Lee Marvin, an all-around bad-ass who by the mid 1960s had become a major, bankable star. His Major Reisman, a sarcastic, quick-witted, smart-mouthed and brutally effective officer, is probably his most well known role, and he owns this movie. With the cast behind and around him, that’s saying something. Marvin delivers brutally funny one-liners left and right, handles the action scenes flawlessly, and is believable as the cynical leader of this group of crook commandos. With those type of men behind him, you need someone like him to lead.

Richard Jaeckel is a scene-stealer as Sgt. Bowren, the MP assigned to work with Reisman in training and execution of the mission. Along with Borgnine, the High Command and other Allied officers include Robert Webber, George Kennedy and Ralph Meeker. Oh, and Robert Ryan as a stiff-collared officer from the 101st. Enough for you? No?

And then there’s the Dirty Dozen. The group includes Charles Bronson as Wladislaw, the former officer sentenced to hang for killing one of his own men, a medic carrying medical supplies away from battle. There’s former NFL star Jim Brown as Jefferson, an African American soldier who killed in self defense but is sentenced to hang nonetheless. John Cassavetes was nominated for a Best Supporting Actor Oscar as Franko, a Chicago hood who killed a London man for $10 worth of cash. Telly Savalas is Maggot, a psychopathic Southerner convinced God works through him. Clint Walker is Posey, an Apache with rage issues, Donald Sutherland is Pinkley, a dimwitted soldier, and singer Trini Lopez plays Jiminez. Rounding out the Dozen are character actors Tom Busby, Ben Carruthers, Stuart Cooper, Colin Maitland, and Al Mancini as Bravos, the smallest of the bunch but with a mean/funny streak. The focus is Bronson, Brown, Cassavetes, Walker, Savalas and Sutherland, none of them disappointing, all of them living up to the hype, all given a chance to shine.

What has helped ‘Dozen’ gain its cult-like following over the years is its humor in looking at and poking some fun at war in general. Sutherland’s dimwitted Pinkley is forced to inspect a crack platoon of Ryan’s Col. Breed in one of the most memorable, truly funny scenes. Watch it HERE. Reisman later arranges for eight London prostitutes to visit the Dozen as their training winds down. The facial expressions exchanged back and forth are priceless. The high point comically — however dark it is — comes in the War Games sequence, the Dozen forced to prove their worth by capturing Col. Breed’s headquarters. They resort to cheating, con jobs, stealing, and all sorts of trickery. After the extended training sequence — which has its fair share of funny moments — the War Games development and the eventual payoff provides some great laughs.

The portion of the movie though that tends to drive people away is the attack on the chateau. SPOILERS AHEAD SPOILERS STOP READING Here’s the plan, courtesy of Reisman, which you can watch HERE. It of course, doesn’t go as planned, Reisman, Bowren and the Dozen forced to improvise. Their solution is simple; throw grenades and gasoline down air chutes and burn (think napalm) the German officers to death. Heroic? No, I would say not. It’s a movie though. These guys aren’t portrayed as heroes. These are prototypical 1960s anti-heroes! What does work? The entire finale sequence (around 45 minutes long) is dripping with tension, and once the adrenaline starts pumping, it doesn’t stop. The Dozen start to get picked off — including two legitimate shockers — as the bullets start flying. I’ve seen this movie 50 times and still root for two characters especially to make it, knowing all the while they won’t. The means are brutal, but as far as an entertaining action sequence goes, it is one of the best.

I’m not sure what this says about me, but I grew up watching this movie a lot. Introduced to it via Memorial Day war movie marathons, it will be always be one of my favorites. I love its cynical, dark look at war. I love the ridiculously strong cast from top to bottom. It is funny, entertaining, action-packed, and a true example of ‘They don’t make them like that anymore.’ A classic.

The Dirty Dozen <—trailer (1967): ****/****